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File:Thomas Couture - Pierrot in Criminal Court - 1980.250 - Cleveland Museum of Art.tif

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Summary

Thomas Couture: Pierrot in Criminal Court  wikidata:Q60474538 reasonator:Q60474538
Artist
Thomas Couture
image of artwork listed in title parameter on this page
Title
Pierrot in Criminal Court
Object type painting
object_type QS:P31,Q3305213
Description
In this painting, Couture used two famous masked characters, Pierrot and Harlequin, to satirize and critique the public and the judicial system of the 19th century. The pathetic Pierrot represents a lower-class fool on trial for stealing food from a restaurant. The stolen items are depicted lying on the courtroom floor as an indictment of his guilt. His accusers sit on the left, while Harlequin, his lawyer, argues theatrically for the defense. The artist's contempt for the legal profession and the court system is plain in the figures of the sleeping judges. A mid-19th-century observer may have sympathized with Pierrot, who for his own survival cunningly subverts authority in order to satisfy his needs.
Date between circa 1864 and circa 1870
date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1864-00-00T00:00:00Z/9,P1326,+1870-00-00T00:00:00Z/9,P1480,Q5727902
Medium Oil on wood panel
Dimensions Framed: 45.8 x 52.1 x 5.2 cm (18 1/16 x 20 1/2 x 2 1/16 in.); Unframed: 32.2 x 39.2 cm (12 11/16 x 15 7/16 in.)
institution QS:P195,Q657415
Current location
Modern European Painting and Sculpture
Accession number
1980.250
Place of creation France, 19th century
Credit line Bequest of Noah L. Butkin
References https://clevelandart.org/art/1980.250 Edit this at Wikidata
Source/Photographer https://clevelandart.org/art/1980.250

Licensing

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The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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